The texture is key to the "hot" designation. Eidem has abandoned the fine glazes of his earlier years for impasto—thick, heavy strokes that give the surface a volcanic topography. Under the gallery lights, the painting doesn't just reflect light; it seems to generate it. The viewer can almost feel the heat radiating from the canvas, a sensation enhanced by the central motif: a fragmented, brutalist archway that appears to be melting in the midday sun.
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