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Historically, cinema often leaned on the "deficit-comparison" model, portraying stepfamilies as inherently dysfunctional or "broken" compared to nuclear units. Modern films have shifted toward more balanced, realistic depictions:

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Consider the quiet revolution of The Last Showman (2017) or the Oscar-winning The Father (2020). Even in genre fare, we are seeing a shift. The step-parent is no longer a villain, but a figure of awkward, hard-won resilience. They are characters struggling with the specific agony of loving a child who looks like someone else, mourning a lineage they cannot claim, yet showing up anyway. They are characters struggling with the specific agony

From Script to Screen: The Evolution of Blended Families in Modern Cinema

The increased representation of blended families in cinema serves several purposes: