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As Meera grows older, she studies film at the university in Thiruvananthapuram. Her professor explains: “Every Mohanlal film in the 90s— Kireedam , Bharatham , Vanaprastham —is a story of a man crushed between the weight of kudumbam (family) and karmam (duty). That is Kerala’s middle-class tragedy. And every Mammootty film— Oru Vadakkan Veeragatha , Kazhakam , Paleri Manikyam —is a reclamation of our suppressed histories, our caste cruelties, our folk legends.”

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💃 A trained Bharatanatyam dancer whose elegance translated perfectly to film. As Meera grows older, she studies film at