By 2012, earning ₹100 crore (1 billion Indian rupees) in domestic net collections became the benchmark for a commercial blockbuster.

After taxes, the remaining revenue is split between theater owners (exhibitors) and distributors based on weekly agreements. In the first week, a producer might receive roughly 50% of the share, with that percentage often declining as the film continues its theatrical run. 2. The Cultural Benchmarks: The "100 Crore Club" and Beyond

But cinema is not a stock exchange. When you sit in the dark for 170 minutes, you don't care about occupancy percentage ; you care about goosebumps . And here, Blaze of Glory runs out of petrol.