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During our walkthrough, we see how this psychology infects every department. The sound designers used field recordings of dead air, static, and dial-up tones. The photographers shot entirely in B&W with a 1998 Sony Handycam. The copywriters were told to delete every adjective from their drafts.
Our exclusive access reveals a palette stripped down to monochrome extremes: jet black, surgical white, and a single accent of oxidized silver. Gone are the warm browns and creams. In their place? Raw concrete, exposed wiring, and translucent PVC panels that refract light like broken screens.
