Amor Estranho Amor -love Strange Love- -1982- English !!hot!!
Contemporary reviews were mixed, with some critics praising Khouri’s visual style and political allegory, while others condemned the film as irredeemably exploitative.
In the final scene, Hugo leaves the mansion and walks into the anonymous São Paulo crowd. The "strange love" remains unnamed. For contemporary scholars, the film serves as a harrowing artifact of the Brazilian abertura : a moment when the nation, like Hugo, looked back at its own violated childhood and found it impossible to look away. Amor Estranho Amor -Love Strange Love- -1982- English
