An Italian-born critic and intellectual living in Paris, Canudo (1877–1923) moved in the avant-garde circles of Apollinaire, Cocteau, and the Futurists. He was fascinated by the synthesis of the arts—the idea that painting, music, poetry, and dance could merge into a new, total expression. While other artists experimented with cubism or futurism, Canudo focused on the brand-new medium of moving pictures.
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His manifesto appeared in two versions: